Guten Tag, fellow enthusiasts!
If you've found your way to The Wagnerian, then you've stumbled upon a digital haven dedicated to all things Richard Wagner. And believe me, there's quite a lot to unpack with that magnificent, often infuriating, and undeniably transformative genius!
Here, we celebrate the life, works, performances, and profound influences of a composer who reshaped the landscape of opera and, indeed, Western music itself. Whether you're a seasoned Bayreuth pilgrim or just dipping your toe into the vast ocean of the Ring Cycle, you'll find a trove of news, articles, and insights curated with passion and, dare I say, a touch of academic rigour (but without the stuffiness, I promise!).
A Word on Our Meistersingers and Their Material
Now, while much of the material you'll discover on these pages springs directly from the hearts and minds of The Wagnerian's editorial team (yours truly included!), we occasionally feature contributions from other esteemed sources. In such instances, we make every effort to contact the original copyright holders to seek their kind permission.
However, as you can imagine, in the grand tapestry of artistic heritage, this isn't always possible. So, please be aware that some material is used under the international notions of fair use. We operate as a non-profit, educational endeavour, purely for the love of Wagner, and we believe this policy applies. But, and this is important, should any copyright owner discover material here that they'd rather not see, a quick word with us – with proof of ownership, naturally – will see it removed faster than a Valkyrie can ascend to Valhalla. We're here to share, not to impinge!
Not in it for the Rheingold!
Just to be crystal clear, because it seems the internet is awash with… well, let's just call it "spam" of varying degrees of weirdness: The Wagnerian is a non-profit site. We're not looking to make a penny from this venture. Seriously, no income, no sponsored posts, and absolutely no interest in that very odd email about Nigerian princes and discounted harmoniums. Our payment comes in the form of lively discussion and the shared joy of Wagner's enduring legacy!
A Note on Accuracy (and the Occasional Leitmotif of Correction)
While we strive for accuracy in all our reporting and interpretations, please remember that the information on this site does not constitute legal or technical advice. Think of us more as passionate guides than infallible oracles. All content is subject to correction and revision – even the most beautifully orchestrated Tristan can benefit from a judicious tweak!
Meet Our Publisher: The Elusive S.M. Moran
The Wagnerian is published by the redoubtable S.M. Moran. Educated at Eton and then Oxford, Seb, as he's known to those of us who've managed to catch a glimpse of him, has had a long and varied career, with a particular specialism in public relations. He's traversed the globe, from the UK to the Middle East, India, Africa, the Himalayas, and even Switzerland – perhaps seeking out secluded mountain retreats perfect for contemplating Parsifal?
Now retired, Seb divides his time between the monumental works of Wagner, various sporting pursuits, and the quiet comfort of his London club. While he oversees the grand vision of The Wagnerian, day-to-day and overall management is firmly in the hands of our dedicated editorial team.
Seb, it must be said, is something of a recluse. Inquiries directed to him will, with much regret (he insists we add!), most likely go unanswered. So, for the everyday workings of The Wagnerian, you're best off with us, the merry band of scribes and scholars who bring you these pages.
So, settle in, explore, and let the magnificent sounds of Wagner's genius resonate within you. We're delighted to have you with us!
