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Where To Listen To Bayrueth 2014 - Free

Yes, its that time of year again. As always there are multiple places to listen to the Bayreuth festival live on the net but alas, shoul...
OU Offers Free Undergraduate Course

While it may seem a little off topic, there are certainly things here of interest to those with an interest in Wagner. We recently discove...
Wagner Festival - Norfolk

Epic Operas Come To Norfolk as Dynamic Company Makes Theatre Royal Debut THEATER FREIBURG The scale, dynamic vision and sheer grande...
Barenboim Discusses: Why Furtwangler still moves us. Plus: Wagner and Ideolgy

Two articles I thought might be of interest from Barenboim's online journal: WHY WILHELM FURTWÄNGLER STILL MOVES US TODAY HIS LIFE:...
Salvador Dali's "Mad Tristan" leaves the noumenal and returns to the world of phenomenon

Director Daniele Finzi Pasca, centre, and members of the production stand before a Salvador Dali painting that will serve as a backdrop ...
Der Ring des Nibelungen Medieval, Pagan, Modern

Richard Wagner's Der Ring des Nibelungen Medieval, Pagan, Modern. Carole M. Cusack Originally published in: Relegere: Studies in...
Anna Netrebko to perform in Lohengrin with Thielemann. And then Bayreuth?

There had been, of course, some rumors (well more than rumors but you know what we mean) for sometime but it is now confirmed - as brought...
Joachim Köhler & Why Wagner Did Not Cause The Holocaust.

"Wagner always considered himself a spiritual revolutionary whose concern was the liberation of human beings, including the Jews, from ...
Theatre Freiburg's Parsifal & Tannhauser To Reach UK In 2014

As part of an event titled WagnerFest 2014, the Theatre Royal Norwich will host Theater Freiburg's production of Parsifa l and the...
New Issue Of The Wagner Journal Now Available

The July 2014 issue (vol.8, no.2), now available, contains the following feature articles: • 'Spinning the Yarn: Intertextuality i...

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LibLab reading - A few weeks ago I wrote about the Tapestry LibLab; a structured creative collaboration between composers and librettists. Yesterday we got a preview of th...
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Munich Opera Festival (2) - La clemenza di Tito, 19 July 2014 - Images: © Wilfried Hösl Nationaltheater, Munich Tito – Toby Spence Vitellia – Kristine Opolais Sesto – Tara Erraught Servilia – Hanna-Elisabeth Müller Anni...
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When the Rose is Faded … - Review – Der Rosenkavalier (Prom 6, Tuesday 22 July 2014) Der Marschallin – Kate Royal Octavian – Tara Erraught Baron Ochs – Franz Hawlata Sophie – Louise ...
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Ars Super Omnia

Festival de Bayreuth - 2014... a chegar... - BAYREUTH - 2014 Para ouvir on line: http://www.the-wagnerian.com/2014/07/where-to-listen-to-bayrueth-2014-free.html E aqui o link para o programa do F...
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OSN presenta programa por Fiestas Patrias - Por Gonzalo Tello (Ópera Perú) La OSN presenta este viernes a las 8 pm en el Gran Teatro Nacional, celebrando las Fiestas Patrias, un programa variado co...
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Medea at the National, or, In Which Everybody Consistently (and Often Baffingly) Does the Very Thing They Ought Not to Have Done - As I made my way home from this rather dreary performance, I began to wonder if Greek tragedy has always been like this and for some reason I didn't tend t...
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Claudia Abbado, Opening Concert at the 2013 Lucerne Festival (Brahms, Schoenberg, Beethoven) - Brahms, Tragic Overture Schoenberg, Interlude and Song of the Wood-Dove from *Gurreleider* Beethoven, Symphony No. 3 *Eroica* Lucerne Festival Orchest...
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Wagner's Women - Each of us, in his or her own ears, knows how the Wagner voices should sound. The heroic voices probably capture us in our beginning fascination with the ...
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Offenbachs’s Les Contes d’Hoffmann, Opéra National de Lyon (at the Bunkamura Orchard Hall), 05.07.2014 - Offenbach’s Les Contes d’Hoffmann is the single presentation of the Opéra National de Lyon in their Japanese tour. Quite understandably, if one has in mind...
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Gerard Mortier ontvangt eerste Mortier Award - Gerard Mortier werd in Graz posthuum gevierd voor zijn levenswerk. De Laudatio werd uitgesproken door Michael Haneke. Sylvain Cambreling nam het Sysyphus...
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Devastating Orphée in Brussels "Rien n'égale mon malheur..." - This is undoubtedly the best show I've seen since Parsifal staged by the very same Romeo Castellucci. Only 20min into the show I felt I was on the edge of ...
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Operas Grounded In Real, Historical Events - An extensive thread of posts concerning the cancellation of the Met's HD Live showings of the Met's production of John Adams's opera The Death of...
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David Pountney's blog | Welsh National Opera

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