Conductor Brett Mitchell gives a deep dive into Wagner's Ring Cycle, demonstrating how he used leitmotifs to tell one of the greatest stories of all time.
The Duchess of Malfi, or, Why is it largely set in a changing room?
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This was my third encounter with director Rebecca Frecknall. I was less
convinced than others by her *Summer and Smoke*, and my rating of her
approach was ...
5 hours ago