Of course, some art [Ed: Surely all, in some small way?] seems to have tried to do this from the outset and was one, if not the only, intention of the creator. Verdi's Traviata or Puccini's Madame Butterfly comes to mind. And of course, much, if not all of Wagner's work. So, does that mean keeping the message and lessons of the creators intent - if they exist? Nearly, but not fully. “I always aim to tell the story and to get to its essence, but I want to add other perspectives. Opera audiences need to see with their ears and hear with their eyes: it can never be a simple experience, and if audiences all leave the auditorium thinking differently about what they have witnessed then I have succeeded.”
An Oak Tree
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Tim Crouch’s An Oak Tree has been around for 20 years and has been
performed about 400 times and it still feels very experimental and rather
weird in a goo...
13 hours ago