Thomas Bargatzky presents a paper with the title: "Nature and Myth in Richard Wagner's Ring - An Anthropological Perspective". He argues that in "Der Ring des Nibelungen", Wagner employs anthropological, mythological and philosophical topics, ideas and characters in a way which often contravenes their original intent. In the "Ring", Wagner takes leave of the political optimism of his younger years, as it became manifest in his vision of a communal "art-work of the future". The pessimism informing the Ring-cycle testifies to its actuality, as is shown in the recent discussions on the "Staatendämmerung" following the European soverign debt crisis.
Bach’s Kantate BWV 171, J.S. Bach-Stiftung, St. Gallen (at the Kirche
Trogen), 10.01.2025
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Intended for the service for New Year’s Day in 1729, the Cantata BWV 171,
Gott, wie dein Name, so ist dein Ruhm (“God, as Thy name is, so is also Thy
prais...
2 days ago