For Francis Philips, writing for the Catholic Herald, Simon Callow's new Wagner biography, raises - for most of us well visited - arguments about Wagner
It gave me a jolt because in my own daily life I never encounter it (though I have read of problems with anti-Semitism within the Labour Party). It seems such a strange and abstract crime, if an ancient one: hating a whole people simply because they come from a particular race or religion.
Interestingly though, I have come across anti-Semitism twice in the comment box when I have blogged: once, when I wrote about the Tridentine Mass and remarked that a Jewish convert who attended the Extraordinary Form had been upset by certain anti-Semitic remarks she had heard; and a second time when I wrote about a book called The Crime and the Silence: confronting the Massacre of Jews in Wartime Poland by Anna Bikont. On both occasions I was taken aback by some of the comments.
Apart from Pollard’s article my thoughts on the subject have been roused by reading Simon Callow’s Being Wagner: The Triumph of the Will (its subtitle eerily echoing Leni Riefenstahl’s notorious film about the dark glamour of the Nazi Party in its early days.) Callow, a lifelong devotee of Wagner’s musical dramas, does not gloss over the more unpleasant features of the composer’s personality – in particular, his virulent anti-Semitism.