The Enchantress
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The Enchantress (sometimes translated as The Sorceress) is a rather
infrequently performed 1887 opera by Tchaikovsky. It got a production in
Frankfurt in ...
Wagner & Comic Books
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A blog post on Der Ring des Nibelungen as graphic novel. Graphic novels
that exist and novels that don't (and can only be judged by their cover).
This blog...
St Matthew Passion, Deutsche Oper, 29 March 2024
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Evangelist – Kieran Carrel
Jesus – Padraic Rowan
Bass – Joel Allison
Tenor, False Witness – Kangyoon Shine Lee
Petrus, High Priest, Pontifex II – Youngk...
Ax, Trifonov, Shani y MTT: música grande en Miami
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Muchas buenas noticias y una sola que lamentar en el primer weekend de
marzo miamense. La presencia de dos colosos del piano, el veterano Emanuel
Ax y el j...
Tolkien Sessions at Leeds IMC 2024
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Eglerio! This year The Centre for Fantasy and the Fantastic, School of
Critical Studies, University of Glasgow will again be sponsoring six
Tolkien ses...
Season's Greetings and Courage to you
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It doesn't seem fitting to wish anyone merry at the moment, despite the
season. I wish you peace and fulfillment and the courage to carry on in the
face of...
Books as Objects as Well as Content
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I’ve recently read two older Wagner books that lend insight not only into
their subject topics, but into the times in which they were written. These
are W...
Lahti
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I am in Lahti, Finland, to give a talk at the Lahti Symphony's Sibelius
Festival. I've been wanting to visit since I encountered Osmo Vänskä's
revelatory B...
Comps for the MM in Mastersinging
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Die Meistersinger von Nürnberg Deutsche Oper Berlin 29.6.22 In the era of
the hyperobject you almost have to salute a production that retains the
visual si...
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Blog beëindigd. Leidmotief verkaste naar Substack, "the home of great
writing". Klik hier Blog discontinued. Leidmotief migrated to Substack,
"the home of ...
Lies
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The truth shall set us free.
Okay, fine, except what happens when the truth is obscured in lies? That
now seems to be the situation in the United States....
Book Review: Blood and Iron by Katja Hoyer
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A Review of Blood and Iron: The Rise and Fall of the German Empire
1871–1918 by Katja Hoyer
Amazon Kindle eBook edition (the edition used for the revi...
Sleeping Forever Beneath the Dry Earth (Part 5)
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Shostakovich talking with Rudolf Barshai in the early 1970s
And here is the final part of my book. I am really pleased with a lot of
what's in this part ...
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Ligeti, Atmosphères
Wagner, Prelude to Lohengrin Act 1
Berg, Violin Concerto
Brahms, Symphony No. 3 in F major
Vienna Philharmonic
Christoph von Dohnányi, ...
El desafío de Werther en Lima
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*La magnífica ópera de Massenet, obra cumbre del romanticismo francés,
llega en una extraordinaria producción de la Ópera de Colombia, para abrir
la Tempo...
Twerp it.
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Review – Salome (English National Opera, Friday 28 September 2018) Salome –
Allison Cook Jokanaan – David Soar Herod – Michael Colvin Herodias – Susan
Bick...
Royal Opera House announces Ring Cycles for 2018!
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Very excited by this announcement. Must start saving now…. ADVANCE
ANNOUNCEMENT Four full cycles performed September–November 2018 The 2018/19
Season open...
continuing as the flying surgeon
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As some of you may have noticed this blog has been inactive the last couple
of years. When I started this blog I worked in Denmark, but in 2011, after
I be...
The Most Terrifying Aria In All Of Opera
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The most terrifying aria in all of opera, or why Mozart stands alone as a
composer of dramma per musica. (Our thanks to The Music...
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*JULES BASTIN, BASSE CHANTANTE*
BASTIN was born in Waterloo in 1933. He was a Belgian operatic bass* who*
made his debut in 1960 at *La Monnaie*, singing ...
Carmen Aldrich
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Carmen at Chorégie d’Orange was TV live broadcast less than two weeks ago.
Contrary to the Puccini operas or the dreaded Verismo repertoire, Carmen is
alwa...
All-Wagner Concert on Friday, May 21
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Please join us for "Exquisite Love Duets and Solos by Richard Wagner," on
Friday, May 21, 2010, at Pickman Hall, Longy School of Music, Cambridge,
Massachu...
