On a related note - but not connected to either of the analysis already cited - Barry Millington (editor of the Wagner Journal and author of a new book on Wagner and his works: Wagner: The Sorcerer Of Bayreuth) has recently been in contact and made the following statement:
"For the subject of an anonymous daguerreotype to be identified with
Wagner, you would expect as a basic minimum that there would be a facial
resemblance. Albert Kaplan's picture unfortunately bears no resemblance
to any known portrait or photograph of Wagner. He's not deterred,
however, even by the dimple, but is there even any history of
attribution to Wagner? Apparently not. Mr Kaplan acquired the picture
and decided immediately that it was Wagner. What can one say? "
Is this this the end of debate? Most likely not as we await the Kaplan Collections response. This is especially so as, despite all of this evidence, a poll at the Wagner Society (London), presently shows 76% of those that have viewed the image as believing it is of Wagner. Will this new evidence and comment change this? One can find out by monitoring - or taking part - in the following poll by clicking here